And the truth is, what comes next sucks: You have to prove it again. Across the Spider-Verse is about what comes next after you’ve made it, after you’ve proven you belong. That’s only where Miles Morales’ story starts. Trouble is, that’s only where the story starts. (Or a woman, or a little kid, or anyone else.) We did it, everyone! What’s up, danger? Like, Look: Spider-Man is Black and Puerto Rican now. It’s easy to talk about representation like it’s the end of the story. The hero: Miles Morales, multiversal problem child Here’s how Across the Spider-Verse stacks up to the first Miles Morales movie. So we sent the whole crew to the theater to get everyone’s impressions. The first movie’s theme is “anyone can wear the mask,” and we decided to embrace that philosophy and say that everyone could review Across the Spider-Verse. Could our review be just as fractal and shifting?
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īut how to limit Across the Spider-Verse to a single reviewer, when it’s a movie about multiplicity? The sequel boasts more alternate universes, more Spider-Mans, more villains, more parallel storylines, more shifts in visual style, more everything. If you want curated lists of our favorite media, check out What to Play and What to Watch. When we award the Polygon Recommends badge, it’s because we believe the recipient is uniquely thought-provoking, entertaining, inventive, or fun - and worth fitting into your schedule.
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